| 000 | 01454nam a2200217 i 4500 | ||
|---|---|---|---|
| 008 | 260119s1970 xx o 001 0 und d | ||
| 020 | _a0-500-04013-3 | ||
| 040 | _aPK-LaGCW | ||
| 082 |
_a709.34 _bBRI |
||
| 100 | 1 | 0 | _aBriggs, Asa |
| 245 | 4 | 0 |
_aThe Nineteenth Century : _bThe Contradictions of Progress / _cAsa Briggs |
| 260 |
_bThames & Hudson : _aGreat Britian, _c1970. |
||
| 300 |
_a239 Pages : _bpbk. _c30 cm. |
||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_aunmediated _bn _2rdamedia |
||
| 338 |
_avolume _bnc _2rdacarrier |
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| 500 | _aIncludes Index. | ||
| 520 | _aThe Nineteenth Century was a period of profound transformation in art, shaped by industrialization, scientific progress, political revolutions, and rapid social change. Traditional academic art, rooted in history painting and idealized forms, gradually gave way to new approaches that reflected modern life and individual experience. Movements such as Romanticism emphasized emotion and imagination, while Realism focused on everyday subjects and social realities. The invention of photography challenged painting’s role as a record of reality, encouraging artists to explore perception, mood, and personal vision. By the late 19th century, Impressionism emerged as a decisive break from tradition, redefining art as a direct response to visual experience and setting the stage for the development of modern art in the twentieth century. | ||
| 650 | _aFine Arts | ||
| 942 | _2ddc | ||
| 999 |
_c6168 _d6168 |
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