01701nam a2200217 i 4500008004100000020001800041040001300059082001800072100002600090245005600116250001700172260003500189300002900224500001800253520089900271650001401170942000801184952013801192952013801330999001501468260119s1981    xx o          001 0 und d  a0-7064-1528-0  aPK-LaGCW  a709.0344bTAY10aTaylor, John Russell 10aImpressionism :bArt Gallery /cJohn Russell Taylor  a2nd Edition.  bOctopus Book :aLondon,c1981.  a64 Pages :bhbk.c28 cm.  aInclude Index  aImpressionism was a late-19th-century art movement that marked the first major break from traditional academic painting. Emerging in France in the 1860s–1870s, Impressionist artists such as Claude Monet, Pierre-Auguste Renoir, Edgar Degas, Camille Pissarro, and Berthe Morisot focused on capturing fleeting moments of modern life, especially the effects of light, color, and atmosphere. Instead of detailed realism, they used loose brushwork, bright unmixed colors, and visible strokes, often painting outdoors (en plein air). Impressionism rejected historical and mythological subjects in favor of everyday scenes—city streets, cafés, landscapes, and leisure activities. By emphasizing subjective visual perception over precise representation, Impressionism challenged academic rules and laid the foundation for later modern art movements such as Post-Impressionism, Fauvism, and Cubism.  aFine Arts  2ddc  00102ddc406709_034400000000000_TAY7097583aLPLbLPLd2026-01-19l0o709.0344 TAYp2537r2026-01-19 12:52:06tC.1w2026-01-19yBK  00102ddc406709_034400000000000_TAY7097662aLPLbLPLd2026-01-19l0o709.0344 TAYp3532r2026-01-19 12:52:06tC.2w2026-01-19yBK  c6468d6468