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  <titleInfo>
    <title>The Paintes Towns Of Shekhawati</title>
  </titleInfo>
  <name type="personal">
    <namePart>Cooper, Ilay</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">xx</placeTerm>
    </place>
    <place>
      <placeTerm type="text">America</placeTerm>
    </place>
    <publisher>Mapin Publishing Ltd</publisher>
    <dateIssued>1994</dateIssued>
    <edition>1st Edition.</edition>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">und</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>230 Pages : pbk. 21 cm.</extent>
  </physicalDescription>
  <abstract>The painted towns of Shekhawati, located in the northeastern part of Rajasthan, are renowned for their extraordinary concentration of richly decorated havelis, temples, stepwells, and forts that together form an open-air art gallery of India’s mercantile past. Developed mainly between the late 18th and early 20th centuries, these towns—such as Mandawa, Nawalgarh, Fatehpur, Dundlod, and Jhunjhunu—prospered under wealthy Marwari traders who commissioned elaborate frescoes to display their prosperity, piety, and modern outlook. The wall paintings of Shekhawati are distinctive for their vivid colors, fine detailing, and wide-ranging themes, blending traditional Indian mythology and religious scenes with depictions of colonial-era life, including trains, telephones, European gentlemen, and even early automobiles. Painted using natural pigments on lime plaster, these frescoes demonstrate both artistic skill and cultural openness, reflecting a society in transition during British rule. Although many of the buildings have suffered from neglect over time, Shekhawati remains a unique cultural landscape where art, history, and architecture intersect, offering valuable insight into the social ambitions, aesthetic sensibilities, and global connections of Rajasthan’s trading communities.</abstract>
  <note type="statement of responsibility">Ilay Cooper </note>
  <note>No Index</note>
  <subject>
    <topic>Fine Arts</topic>
  </subject>
  <classification authority="ddc">709.544 COO</classification>
  <identifier type="isbn">8185822174</identifier>
  <recordInfo>
    <recordContentSource authority="marcorg">PK-LaGCW</recordContentSource>
    <recordCreationDate encoding="marc">260119</recordCreationDate>
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