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  <titleInfo>
    <title>The Grammar of Ornament</title>
  </titleInfo>
  <name type="personal">
    <namePart>Jones, Own</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="text">London</placeTerm>
    </place>
    <publisher>Dorling Kindersley Publisher</publisher>
    <dateIssued>2001</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>504 Pages : pbk. 17 cm.</extent>
  </physicalDescription>
  <abstract>The book analyzes ornament from ancient civilizations (Egyptian, Greek, Islamic, etc.) to modern times, identifying universal principles behind good design. Jones argues that ornament should be based on nature, geometry, and harmony, not imitation or excessive realism. He promotes flat pattern, clear structure, and disciplined use of color, believing ornament should enhance architecture and objects rather than dominate them. The work established design rules that strongly influenced modern design, architecture, and art education.</abstract>
  <note type="statement of responsibility">Own Jones </note>
  <note>include index.  </note>
  <subject>
    <topic>Fine Arts</topic>
  </subject>
  <classification authority="ddc">745.4 JON</classification>
  <identifier type="isbn">0751312762</identifier>
  <recordInfo>
    <recordContentSource authority="marcorg">GCL</recordContentSource>
    <recordCreationDate encoding="marc">260113</recordCreationDate>
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