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Impressionism : Art Gallery / John Russell Taylor

By: Material type: TextTextPublication details: Octopus Book : London, 1981.Edition: 2nd EditionDescription: 64 Pages : hbk. 28 cmISBN:
  • 0-7064-1528-0
Subject(s): DDC classification:
  • 709.0344 TAY
Summary: Impressionism was a late-19th-century art movement that marked the first major break from traditional academic painting. Emerging in France in the 1860s–1870s, Impressionist artists such as Claude Monet, Pierre-Auguste Renoir, Edgar Degas, Camille Pissarro, and Berthe Morisot focused on capturing fleeting moments of modern life, especially the effects of light, color, and atmosphere. Instead of detailed realism, they used loose brushwork, bright unmixed colors, and visible strokes, often painting outdoors (en plein air). Impressionism rejected historical and mythological subjects in favor of everyday scenes—city streets, cafés, landscapes, and leisure activities. By emphasizing subjective visual perception over precise representation, Impressionism challenged academic rules and laid the foundation for later modern art movements such as Post-Impressionism, Fauvism, and Cubism.
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Item type Current library Call number Copy number Status Date due Barcode
Books Govt. Graduate College Gulberg, Lahore - Central Library 709.0344 TAY (Browse shelf(Opens below)) C.1 Available 2537
Books Govt. Graduate College Gulberg, Lahore - Central Library 709.0344 TAY (Browse shelf(Opens below)) C.2 Available 3532

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Impressionism was a late-19th-century art movement that marked the first major break from traditional academic painting. Emerging in France in the 1860s–1870s, Impressionist artists such as Claude Monet, Pierre-Auguste Renoir, Edgar Degas, Camille Pissarro, and Berthe Morisot focused on capturing fleeting moments of modern life, especially the effects of light, color, and atmosphere. Instead of detailed realism, they used loose brushwork, bright unmixed colors, and visible strokes, often painting outdoors (en plein air). Impressionism rejected historical and mythological subjects in favor of everyday scenes—city streets, cafés, landscapes, and leisure activities. By emphasizing subjective visual perception over precise representation, Impressionism challenged academic rules and laid the foundation for later modern art movements such as Post-Impressionism, Fauvism, and Cubism.

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