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A Concise History of Modern Painting / Herbert Read

By: Material type: TextTextPublication details: Thames & Hudson : London, 1997.Edition: 5th EditionDescription: 396 Pages : pbk. 21 cmISBN:
  • 0-500-20141-2
Subject(s): DDC classification:
  • 759.06 REA
Summary: A Concise History of Modern Painting by Herbert Read traces the development of modern painting as a gradual shift away from realistic representation toward abstraction, driven by changes in modern life, thought, and perception. Read explains how Impressionism first broke with academic tradition by focusing on light and subjective vision, while Post-Impressionists like Cézanne, Van Gogh, and Gauguin sought deeper structure, emotional expression, or symbolic meaning. These experiments led to early 20th-century movements such as Fauvism, Cubism, and Expressionism, which radically transformed form, color, and space to reflect modern consciousness. The book shows how abstraction emerged not as a rejection of reality but as a search for order, spiritual meaning, and psychological truth in a rapidly changing world. Ultimately, Read presents modern painting as an ongoing process of experimentation that mirrors the intellectual, social, and emotional conditions of modern humanity.
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Books Govt. Graduate College Gulberg, Lahore - Central Library 759.06 REA (Browse shelf(Opens below)) Available 14231

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A Concise History of Modern Painting by Herbert Read traces the development of modern painting as a gradual shift away from realistic representation toward abstraction, driven by changes in modern life, thought, and perception. Read explains how Impressionism first broke with academic tradition by focusing on light and subjective vision, while Post-Impressionists like Cézanne, Van Gogh, and Gauguin sought deeper structure, emotional expression, or symbolic meaning. These experiments led to early 20th-century movements such as Fauvism, Cubism, and Expressionism, which radically transformed form, color, and space to reflect modern consciousness. The book shows how abstraction emerged not as a rejection of reality but as a search for order, spiritual meaning, and psychological truth in a rapidly changing world. Ultimately, Read presents modern painting as an ongoing process of experimentation that mirrors the intellectual, social, and emotional conditions of modern humanity.

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