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The Everyday Art Of India / Robert F.Bussabarger and Betty Dashew Robins

By: Material type: TextTextPublication details: Dover Publication : New York, 1968.Edition: 1st EditionDescription: 201 Pages : pbk. 27 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 486219887
Subject(s): DDC classification:
  • 709.54 BUS
Summary: The everyday art of India is deeply woven into the daily lives of its people, appearing not only in galleries and museums but in homes, streets, rituals, and ordinary routines. From colorful rangoli patterns drawn at doorsteps to welcome prosperity, to intricate mehndi designs applied during festivals and family celebrations, art in India is a living, participatory practice rather than a distant object of admiration. Folk traditions such as Madhubani, Warli, Gond, and Pattachitra began as everyday expressions used to decorate walls, floors, and household objects, often created by women as part of domestic and community life. Even utilitarian items—pots, textiles, tools, carts, and temples—are shaped and embellished with aesthetic care, reflecting a belief that beauty and function belong together. Religious devotion also fuels everyday creativity, seen in hand-made idols, painted shrines, garlands, and ritual drawings that change with seasons and festivals. This continuous presence of art in daily life expresses India’s cultural values, social bonds, spiritual beliefs, and connection to nature, making creativity not a separate profession but a shared way of living and seeing the world.
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Includes Index.

The everyday art of India is deeply woven into the daily lives of its people, appearing not only in galleries and museums but in homes, streets, rituals, and ordinary routines. From colorful rangoli patterns drawn at doorsteps to welcome prosperity, to intricate mehndi designs applied during festivals and family celebrations, art in India is a living, participatory practice rather than a distant object of admiration. Folk traditions such as Madhubani, Warli, Gond, and Pattachitra began as everyday expressions used to decorate walls, floors, and household objects, often created by women as part of domestic and community life. Even utilitarian items—pots, textiles, tools, carts, and temples—are shaped and embellished with aesthetic care, reflecting a belief that beauty and function belong together. Religious devotion also fuels everyday creativity, seen in hand-made idols, painted shrines, garlands, and ritual drawings that change with seasons and festivals. This continuous presence of art in daily life expresses India’s cultural values, social bonds, spiritual beliefs, and connection to nature, making creativity not a separate profession but a shared way of living and seeing the world.

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